Baby Portraits - An Oil Painting From Your Photos

By Allan Holder

Forget the tie this Father's Day; oil painting portraits of children is a Father's Day gift that is sure to be unexpected. A custom-created oil painting can be commissioned from a professional using a photograph of your baby, which is especially helpful if you're child does not sit still for long. If you are truly adventurous and enjoy experimenting, you can even paint an oil painting on your own.

A Unique Gift Idea

A child portrait, especially a baby portrait, is not only a timeless and classical way to commemorate the privilege of fatherhood, but is also a Father's Day gift that will likely be completely unexpected. Forget the work shirts, golf equipment and barbecue supplies this year; a Father's Day gift should be a sign of thanks and appreciation for your special dad. Furthermore, a baby portrait is truly a gift that he will cherish for the rest of his life and one that will probably also become a family heirloom.

An oil painting is a non-traditional and unique Father's Day gift idea. While baby portraits, just like any other original oil paintings, can be expensive, it may be worth the cost to be able to convey a special message to the man who has been such a wonderful father.

How it's Done

Most babies are not willing to sit still for the long hours that are necessary to paint a traditional portrait; however there are many artists who will create an oil painting from your photo. Choose a photo that is clear and accurately portrays the expressions and personality of your baby. Giving a Father's Day gift such as a commissioned baby portrait will forever preserve that particular moment in time for the father and will be a vision that he will surely carry with him always.

Select the Right Artist

When it comes to oil painters, not all artists are the same. Make sure to choose an artist that specializes in portraits, perhaps even one that works solely on baby portraits. Choosing an artist that works mostly with landscapes and still-life paintings or other non-human subject matter may not be the best choice for your baby portrait, though his or her work may be impressive. The artist that you commission should be able to capture facial expressions and the humanity of the child in the portrait. In order to select the artist that is best for you, ask your friends who they have heard of and spend some time looking through portfolio books.

Once you have your commissioned baby portrait, make sure that you wrap it well so that it does not get any scratches before Father's Day. Select a location in your home that you can be proud to feature the work. As your child grows, you will likely want to place this baby portrait next to future portraits of him or her.

And this Royal Brush Oil Color Brush was for our 15 year old whom is getting an interest in art who loves the color assortments as well as all the supplies that came with it. Would have like better instructions on how to clean brushes, ect, but we were skilled enough to show them.

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Oil Painting - Getting Done With Oil

Murtaza Habib

Oil painting has its roots during the ancient Roman era, and in the following years, its reputation immediately disperse throughout the other regions.

Oil painting is the progression of painting with pigments using dry oils, most particularly linseed oil, poppy seed oil, safflower oil, and walnut oil.

Artists diverge and contrast in style, stroke, or color, they want to portray. Different kinds of oil likewise present different colors and characteristics. Some, in a single painting, use different oils to depict the character and mood of their expressions.

To begin, most artists make a sketch to draw round and chart in the theme of their paintings. From there, the pigment will be applied to the surface which likewise varies, depending on the artist.

It may range from a canvas, cardboard, pressed wood, paper, slate, or wooden panel. The artist may opt to mix the pigment first with the oil of their choice, rather than applying the pigment on the surface, and topped with oil.

A universal rule among painters is the "fat over lean" rule which means that less oil should be applied at the surface to allow easy drying of the material. The higher the layer, the oilier it gets, thereby giving the outer layer the best glow in the canvas.

Moreover, this should be the standard technique because the lower layer sucks up the paint from the upper layers.

The surface coat or the under painting lay an important foundation and must be carefully applied. A thinner or turpentine lays the groundwork in every oil painting. Let it dry, and then proceed to undertake the mosaic surface or beginning with a murky or shadowy color to the brightest.

Here, the painting will appear dramatic, not to mention. Again, this layer has to be dried up. The artist may proceed to add intricate details in the next layer, and then the succeeding ones.
However, this may take years to dry up. In the Impressionist era, notable artist in this period is Jan van Eyck, began reconstructing the traditional technique called "Direct Painting". Instead of letting it dry for several months, they immediately paint wet paint on wet layer.

While the character is bizarre, the contemporary artists began to embrace this new style, and adopt it. Renaissance artists would prefer to seal the painting with a varnish, but Impressionist painters would have it varnish-free, maintaining the original art as they painted it.

The best thing about oil painting is that it can be redone anytime. The reason since oil paints does not dry immediately, it can stay wet for an hour, and hence, the artist can alter the style, texture, or totally remove the design until it becomes dry.

The solidified layer must be scraped in order to give the painting a smooth and downy effect. In scraping off the dry matter, never leave traces of chafed grime because traces of scraping to become obvious when scrutinized.

While it can be considered dry at first look, be cautious in finishing the art because some oil paints will completely dry for sixty to eighty years.

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Oil Painting - Harmonizing With Oil Painting

By Murtaza Habib

Oil painting is the most versatile specie of art. Different painting variables can be used and not limited only to the artists' paintbrushes and paints. Aside from oil paints and a canvas, some artists use other media. Varnish is one thing.

The different media used by the artists can be fine-tune or fiddle with the luster or polish of the painting, or may cover up the strokes of the paintbrush, or make the painting appear mobile even if still.

Oil painting gets the hand of only the most adaptable and flexible talents. It has its own varieties.

May it be mixture or in glazes, its new and old result attracts the eyes of the many. Mixture is how the artist thickly applies the oil paint, whereas glaze is how thinly the paint is applied on the surfaces.

The attractiveness of oil painting stretched through Italy during the 15th century. From then one, it has touched many artists across the globe. Color selection becomes paramount most especially in oil painting because the properties of each oil paint may give adverse or good effect.

Conditionally, artists will mix the paints in advance before applying them on the canvas, paper, slate, pressed wood or wooden panel. As artists are trying to establish their own identity, developed in the art of oil painting is the technique of using oil paints in tubes.

It is more convenient, and less messy. First, one may initially paint the surface with a clear paint, or instantly apply charcoal, depending on the theme of the artist.

Artists vary in their style, strokes, and subject matter. In this painting, it matters not the theme or subject matter, but on how well the artist apply the techniques, or even make his own technique. For some, they let the initial coating or the under painting dry first.

However, the new school would already venture on wet-to-wet painting. This is more difficult because considering the component of oil paint that does not dry instantly, applying paint on a wet layer could modify the preliminary design, or my end up revising the entire piece. Artists like Jan van Eyck are too bold to undertake this method.

This is very complex, if not, the intricate piece of work. The oil paint could dry up for years. Some artists would wait for several years before they could apply the second layer, then several years again before it will dry. Oil paints do not dry by evaporation but by oxidization.

Patience is the number one material in this painting. Nonetheless, the masterwork will definitely be a stunning success.

However, oil paintings dry by oxidization, they often leave the painting a hardened surface. That is why it is necessary to scrape its surface to remove the coarse and jagged exterior to give a smooth and leveled facade. To preserve the painting, apply varnish.

However, this medium can alter the color, or the translucency of the painting, so you may just want to have it varnish-free to preserve the original color and tint.

What if I teach you how to get started with drawing and painting with great ease following simple steps?

Follow these steps for your perfect creativity flow.

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Oil Vs Acrylic Paint

By Chad Marshall

What are the pros and cons of acrylic and oil painting? What techniques work in one medium but not in another? We'll discuss these questions and more. Read on.

The pros and cons of acrylic painting

PRO: Fast drying time. When layering paints, acrylics will dry in as little as 15 to 30 minutes. PRO: Due to the fast drying times, it's ideal as a base color for oil painting.
PRO: Student grade oil paints can be obtained at very low prices.

CON: Due to the quick drying time, more modern painting techniques like Wet On Wet (created by William "Bill" Alexander) will be difficult to take advantage of.
CON: Although oil paint can be applied over acrylic paints, acrylic paints should never be applied on top of oils.
CON: Almost all acrylic paints are thin and soupy, limiting the techniques the artist can use.

The pros and cons of oil painting:

PRO: Many student and professional grades are available.
PRO: Modern painting techniques such as those used in Wet On Wet can be used with the right oil paints.
CON: Very slow drying time. Some paintings can take months to fully dry, although most paintings are dry to the touch in a few weeks.
PRO: Slow drying time can be helpful for many people. When using Wet On Wet painting techniques, slow drying time is preferred and actually aids the artist, allowing new layers to be applied on top of wet layers and also allows the artist to correct any mistakes during painting.
PRO: Most oil paints are thin and soupy and geared towards traditional oil painting methods, but some oil paint producers have reformulated their oil colors making them very thick and rich, expanding the possibilities for artists. Companies such as Alexander Art and Winsor Newton carry very thick oil paints that are ideal for a variety of oil painting techniques.

Did you find this article helpful? Learn more about wet on wet oil painting and Alexander Certified Instructor Chad Marshall at his website. http://www.wichitaoilpainting.com
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Tips to Frame an Oil Painting

By Ben A Jonson

Oil painting framing can be really expensive if they are framed by professionals which can really add up to your cost of your purchase. Professional framers have great experience in choosing the right frames that match the exact architectural piece and the framing process can be a time consuming task and not everyone would be willing to spend money on this task. However framing the oil painting is an important task but there is no requirement that you need to pour loads of money on this tedious task.

You can frame your art painting by yourself with a frame for a cost effective result that will give you satisfactorily results as well. This article will help you in crafting an amazing frame for your painting.

Choosing the apt frame

• Visit a store nearby and look in for a frame and browse for your backless frames.
• Search a frame that fits the dimensions of your painting. Be sure that you search the frame whose inner dimensions match with the dimensions of your frame.
• Select a frame that doesn't distract the art but matches the feel. While choosing the frame you also need to keep in mind that you do not spoilt the interior decor of your paintings. Simple, flat, black or brown frames can suit any style of painting nicely. Metallic frames with ornate carvings can be held for traditional paintings such as portraits, landscapes and still lives.
• Check your frame along with your painting and check if they both blend well together.
Framing process
• Place the frame inverted on a clean place.
• Put in the painting through the opening from the back portion of the frame
• Enclose one offset clip on each side of the frame it can be placed either at the top and bottom sides and then you need to screw the clip using size two screws.
• Fasten a strap hanger in each side of the frame, 1/3 of the way down; using the two sizes eight screws. Do not constrict the screws all the way; allow the screws to rotate freely.
• Slide one end of the hanging wire into one of the strap hangers and wrap the end around it for five to six times.
• Insert the wire into the strap hanger, leaving a little bit of space. Then wrap the end following the same procedure as the first one.
• Hang your painting on to a screw with the hanging wire.
Thus the framing of your painting is done with considerable ease and without causing a considerable pinch on your pocket.
Ben Jonson is a Copywriter of http://www.paintingmax.comHe had written many articles in various topics. For more information visit: Painting brush - Types and values. Contact him at paintingmax.ben@googlemail.com
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Oil Painting Reproductions - The Secret to Affordable Oil

By Marcy Ruberto

Art is one of the most incredible parts of human culture. Only we have the ability to capture our imaginations and perceptions of the world, and put that onto a permanent medium such as canvas. An oil painting can then be shared with others to love and enjoy as well. There are so many beautiful works of art in the world but most are housed in museums and galleries around the world where many people don't have the chance to see them. Now, however, many talented artists are capturing the beauty of these masterpieces and the general public is being given the opportunity to buy these oil paintings at an affordable price. How? Through an exciting method called oil painting reproduction.

What is an Oil Painting Reproduction?

An oil painting reproduction is basically a recreation of a masterpiece by a new artist. As the name suggests, these pieces are created using oil-based paints on a canvas. Because they are oil painting reproductions, they are considerably more affordable than the originals. Instead of millions of dollars, you could be paying less than one hundred dollars.

Perhaps the best part is that you are not purchasing a manufactured copy of the painting. You're not ordering mass created art. Each oil painting reproduction is hand created by actual painters and artists who have been specially trained so they can carefully and accurately recreate the works of such revered artists as Vincent van Gogh, Claude Monet, and Pablo Picasso and others. Each piece may be a reproduction, but each is also unique with minor differences incorporated by the different artists.

Another amazing thing about these oil painting reproductions is that they have great texture. The oil painting is crisp, clear, and alive on the canvas. It creates a breathtaking finished piece of art that will be a focal point or topic of conversation in any room.

There is a huge variety of oil painting reproductions to choose from. If you have a favorite artist, you'll be able to purchase an oil painting reproduction of his or her art. Almost all of the classic masters' work can be re-created. Even art that was massive in scale can be redone as a smaller oil painting for display in your home. You can have an artist create an oil painting from a photograph that you submit. Imagine hanging an oil painting reproduction of your family portrait over the mantel.

No matter why you buy an oil painting reproduction, whether its because the painting speaks to your heart, or because it makes your room come alive with color, personality and life, you're going to love having your very own oil painting reproduction on display for you to enjoy 24/7.
If you're looking for something that's alive with personality, maybe a bit on the wacky side, or just something that speaks to your heart, check out our affordable oil painting reproductions at http://www.artsmartdecor.com
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Looking at Oil Paintings

By Sean Durham

When viewing a painting the objective is always to enjoy the experience. This experience can be enhanced if we approach a piece of art work armed with a little knowledge about the principle ideas behind painting.

The contents of a painting can be broken down into its components and each component studied for its own sake. The objective being to understand what the artist intended.

The basic elements of an oil painting can be divided into numerous components. For the moment we will consider the elements of linear composition and colour.

The first point to consider when looking at a painting is the way the artist has used the whole canvas to express his intended idea. There would be little point in having a large canvas and only using the corner of it to paint on. The choice of canvas comes after the idea for a painting has been conceived and is ready for execution.

Canvas is basically the support for a painting or work of art - today some artists try and include the canvas in the actual concept of the work. This idea is interesting but often fails , the viewer couldn't possibly know this was the artists intention because the artist is often a stranger to the viewer and the onlooker will mostly presume the actual work is on the canvas rather than the canvas itself.

After looking at the basic composition in a general way, feeling your way around the canvas, following the lines and colours that your eye finds most attractive and compelling, stand back and begin to consider the juxtaposition of neutral space and the possibilities of negative space. Neutral space is a necessary area in a painting where not much or nothing is happening. The eye is drawn to different areas on the canvas, this can be quite stressful on the brain and eye after a while. It is necessary to be able to stay within the experience of looking, but yet find a place for the eye and brain to rest momentarily. To gather thought before moving on into another roller-coaster of colour and line.

Too much neutral space will become negative space - something of no use in the composition - normally seen as a much too large area of space that does no justice to the intentions of the painting.

The viewer can enjoy a painting to a large extent by just going with their "gut-feelings" . If they like what they see, then that's fine and they have experienced something of value to them.
The viewer may want to extend that experience into something richer and more enjoyable by arming themselves with a little pre-knowledge about composition and colour.

Artists paint because they must. Through hard work and experience the artist learns how to express the idea more effectively, therefore making the experience more enjoyable for themselves and the viewer.

Considering both aspects of composition, colour and linear, we can view a painting with an eye that is searching in a constructive way.

Colour is considered more attractive than linear composition and therefore that is what we first see when confronted with a painting.

Look for the dominant tone in a painting. It doesn't have to be a large area, it could be a very small area where a primary colour has been placed or a stronger tone than the rest of the work.
Observe how the artist has dealt with space around the dominant colour, how he has broken the original tone down by mixing it with other colours. This ensures that stronger tone will stay dominant throughout the work, always bringing the eye back to it like a magnet. The surrounding tones may be based on harmonious colour scales or they may be contrasting colours that create "flashing" effects for the eye to deal with.

The composition of colour is dictated to by the linear composition. It is the choice of the artist to decide which areas of his composition should contain the stronger, warmer colours and which areas are cooler, normally the large areas should be where we see cool tones; blue and green are cooler colours. Red is warm but imagine red and blue mixed together 50/50, this will cool the red down but retain enough of its character to call it a red tone.

The linear composition will always contain elements of "The Golden Mean", a shape within the composition that is difficult to avoid in western thinking. It is basically like a 90 degree angle where the two angles, although appearing to be of different proportions are equal in volume. Study any of the masters and you will nearly always find this form used in the painting. It will repeat itself again and again in the same painting and can be seen as small or large interlocking angles creating rhythms and balances of "weight" in the painting that contribute a lot towards the interest factor in any work of art.

A figure standing at the end of a long bed. The figure and possibly objects bound into the figures expression, could be the same volume as the volume of the bed.

A group of trees may equal the volume of a strip of grass below them etc.

Consider the other forms too, triangular, square and oblong are all forms that an artist uses to enhance the structure of his work. Try and find an area of the work that offers the form of a triangle, it may not be immediately obvious to the eye at first, but when you find it search for an answer to it, something that the artist has used to balance it off against another form, a smaller triangle or an oblong shape that may lead off it. This is how the artist should be thinking when creating a work. He may be painting a group of figures taking a walk in the city, but he will certainly use Forms to construct the painting so that it is attractive or interesting to the eye and brain.

An artist who wants to create an interesting piece of work that will cause the viewer to stop and think, will carefully consider the combinations of shapes and forms available to him that he wishes to emphasize.

Each shape will play-off another shape or form. One shape could be accented for effect and another for volume and dominance to ensure that the viewers eyes will always return to the same position to reconsider the work.

Remember, when looking at art, your opinion based on gut-feeling is just as important as a knowledgeable opinion. But, both together make the viewer a discerning onlooker who experiences much more, and can develop an educated opinion about a complex subject that often baffles or intimidates people.
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Oil Painting is Not For Firm Since You Imagine - If Explained Properly

By Murtaza Habib

When I was a child I started my cartoon, along with was able to become skilled at graphite, charcoal as well as color pencil at once. I took into kindness that dampen colors are relatively straightforward mediums to perform as well as, for equivalent to others. Matching with Pastels.
But I was plenty concerned to act with Oil Painting.

Given for some reason, although, the thought of oil painting intimidated me, in spite of my former success along with esoteric mediums. I well-versed dipped my toes into the collection a couple of times, along with it simply verified my uncertainties. It wasn't in anticipation of I finally dove in that I realized no matter what a versatile as well as forgiving average oil paints in truth are. Hence, whilst you're geared up to dive in, imagine these hints:

1.) Don't Skimp on Delicacy: It positively doesn't pay to pay money for low-priced, or low-quality, art supplies. Appreciate they state, you get what you pay for. As an instance, low-grade oil paints regularly upset to as it should be adhere to the work of art and usually change color over time. A similar goes with cheap paint brushes, which don't contain the paint anyhow, and frequently paint unevenly.

2.) Too Much of an Okay Mania: Surf the internet search engine for the art supply store by typing "oil paints". Then formulate to troth awed, as well as slightly intimidated, by the whole lot the colors that are on hand. The excellent news broadcast you only select few of these colors, which you can at that time principle to make what color you require. A necessary collection of colors may well incorporate Titanium Colourless, Cadmium Yellow Reasonable, Alizarin Scarlet, Prussian Blue, Cobalt Blue, Viridian Green, Yellow Ochre, and Cadmium Cherry, in addition to Ivory Black. Not only will it save your money, other than through a limited palette will furthermore award further conformity to your oil paintings.

3.) Don't Attempt to Paint the Sistine Chapel: Larger may be better, then again not while it comes to picking up how to paint. Small canvases are plenty cheaper also won't set you back a destiny when your planned "masterpiece" turns into a "learning experience".

4.) Plumpness More than Lean (No matter what That Indicate): If you don't crave your painting to glance am passionate about it was painted during the Renaissance, as well as minute petty goes off crisscrossing the turn up of it, then make sure you follow this trouble-free, also salient, rule of thumb inside oil painting: use paint plus a higher oil to pigment ratio (fat) far more than paint with a minor oil to pigment ratio (lean) to avoid dividing. On the whole, this indicate you want your under layer to dry swift than your peak layer, so start with a thinner alike turpentine, followed by, as an instance, linseed oil.

5.) Mysterious to Light up, Dark to Light, Shadowy to...: Are you detecting a pattern here? Constantly work from dim to light up inside your oil paintings. Maybe, while defining your masses and blocks, inside your darkest tones first. Then, start building up your midpoint, or mid-, tones, with eventually your lights. Once you're ended, you may perhaps lighten your lights plus darken your darks, creating effortlessly the accurate contrast.

6.) Hold It Easy Beginning-out: I in all probability could not hyphenate "Initiating-out", although I demanded something supplementary desirable, furthermore respectful, than "Foolish". If you are painting a portrait then do not start painting the pores and the peach-fuzz on your sitters face before you reach to the level of shape of the head properly. Always make your large masses worked out first, before fussing over the details.
What if I teach you learn how to draw and paint with simple steps? Follow these steps for your perfect creativity flow.

Grab my free tutorials.http://www.paintonmycanvas.com
'Murtaza Habib' has helped hundreds of newbies to start their painting courses, now you can do it too...
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Effective Ways For Cleaning Your Oil Painting

By Ben A Jonson

First and foremost thing you should consider before trusting any oil painting method is that it must come with disclaimer. More than any other types of do-it-yourself process, oil painting cleaning must actually be trusted to professional conservators. On the other hand, if your painting does not carry expensive tag, or it is not really old, or not too critical, there are few options to make it look cleaner and brighter yourself. In addition, modifying true antiques in fact decreases their value, whether they look better to you or not.

During 1940s, paintings made from oil on canvas were normally covered with the layer of varnish to incorporate sheen and guard the thick layer of paint, name Impasto. However, varnish usually reacts differently to the surroundings than the paint do, so such varnish seals end up cracking, staining or gumming up over time. It could make the real tint of the oil paints appear dull or discolored.

In case, it looks that your painting has gone older, assess whether your paint is in good condition but the varnish has gone old. Here, try using mild solvent name conservation liquid. Art selling stores would usually sell an "emulsion" intended to clean and take away varnish. There is forever option that this solvent would as well harm or take out the oil paint. If you are eager take this risk then wipe the emulsion with a cotton scrub very carefully. Try to do spot-testing one bend before going on to the total canvas painting. Work in an area where you find sufficient ventilation.

When it comes to recent paintings, you might come across the trouble of build-up of smoke, dust, stain, pet hair (in case you have pets at home), dander, and even fungal development. Here, you need to make sure that none of the paints is prepared to come about the board or canvas, in the sense that it does not display any flakes and cracks. After that, you could watchfully clean up the surface with very dry and soft bristle brush, may be with baby toothbrush or shaving brush.

When the painting surface is steamy, mucky and oily, you might desire to take some steps for cleaning by means of detergent solution. However, usually it is not an good idea to mix up water and oil as the moisture could damage both the impasto and canvas. Moving with caution, you can use fresh cotton cloths dipped in a mixture of dish soap and hot water. Then next you need to lightly blot the base, make sure you don't scrub or rub on the painting. Never should you allow submerging any part of painting, nor must you let the moisture to drip or pool.

Ben Jonson is a Copywriter of http://www.paintingmax.com
He had written many articles in various topics. For more information visit: Figures
Contact him at paintingmax.ben@googlemail.com
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Oil Painting - Most Popular Art Form Of The Modern Times

By Amitseo Kumar Singh

Oil painting is a distinct genre of painting where drying oil is applied as paints. Timeless possessions of arts, oil paintings down the ages are visual documentations of the history culture and lifestyle of the yore. With the moving courses of time new styles and techniques have made way into the paintings making them more enriched and versatile. Oil Painting is also very popular in the modern times. The modern artists and connoisseurs admire them and innovate new ideas from them.

Various types of oil were used to create oil paintings. Linseed oil, poppy seed oil, sunflower oil and walnut oil were used commonly. The painters mixed the oils with the pigments with great dexterity and precision. Pine resins and frankincense were applied to bring a glossy effect on the paintings. Generally the paintings were carved on a canvas. But in some cases the paintings were framed out in paper sheets, cardboards, linoleum and wooden panels. Animal glue and gesso were used to coat the panel paintings. Modern gesso is a combination of calcium carbonate and polymer acrylic. It is used to increase the absorbency of the primer coat of an oil painting. Animal glue saves from the harmful acid effect of the paints.

In oil paintings the outline of the subject of a particular painting is first carved out on the canvas. Then pigments are mixed with oils to prepare shades of colors. Pigments having cobalt, manganese and lead were used in the early days to increase the drying process. The oil colors are then applied on the painting in the form of layers. With the advent of oil painting tubes the painters have been freed from the hazards of mixing oil with pigments.

Painting in layers is the conventional method of oil painting. This is done to enhance the effect of colors and bring perfection into the painting. First the "underpainting" is sketched out using thin coats of paints like the turpentine paint. The layer is let to dry up. After this several layers of oil paints are applied consecutively letting each layer to dry up completely before applying the next layer. It can take several weeks to months to dry an oil painting completely. After the work is sealed by the artist varnish is applied to bring the shining effect.

Oil paintings have been influenced by various styles of art namely renaissance art, figurative art, folk art, abstract art, contemporary art and modern art. The themes of the paintings were collected from various facets of nature, figures of animals and human beings, modern architectures and every day life. The inherent self of human beings and the various human moods and psychologies are also captured into bold lines and colors in the modern oil paintings. Raphael's 'La donna velata' (1516) Titian's 'The Rape of Europa'(1562), Leonardo da Vinci's 'Mona Lisa' (1503-1506), Van Gogh's 'The Starry Night'(1889), 'Sunflowers'(1889) and 'Wheat Field With the Crows' (1890), Claude Monet's 'Water Lilies', Salvador Dali's 'The Persistence of Memory' ( 1931) and 'The Metamorphosis of Narcissus' (1937) are legendary oeuvres of oil painting that inspire awe and veneration to the votaries of arts from time to time.
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Amit Singh is Content Coordinator for http://ethnicpaintings.com This website gives you comprehensive informations on painting history, development, trends, popular painting styles, great painters, famous paintings, painting galleries and museums, painting tips, painting classes. In other words, this website is a treat to painting freaks.

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